đ» A Bear Walks into a Bar
K.A. Vargas
A.J. Hodges

âOi, Paul. You coming to the demo?â
I press the phone against my face. Itâs Sabeena. My best friend a.k.a. boundary pusher. I slink over to my bedroom window and hush my voice. âWhat demo,â I whisper. âIâve got college all day today.â
Sheâs always getting me into trouble.
âSack college. This is more important. Roko Industries got planning approval.â
âSo?â
âTheyâre building more skyscrapers. We can kiss goodbye to social housing anywhere near the center.â
Her words and enthusiasm drift over me, but they donât land. Iâm honestly not sure what she means. I just know itâs politics, Sabeenaâs number one topic.
Except for clubbing, that is.
âI canât,â I say firmly. âWeâre still on for tonight though, right?â
âOf course.â Sabeenaâs grin is as big as mine, I just know it.
âSee you there then.â I pause. âOh, and let me know how the demo goes.â
Sheâs always trying to rope me into some new venture. Sometimes I say yes. But not right now. The thing is, ever since Iâve been hanging out with Sabeena, Iâve been falling behind with college. Last week Ms. McDonnell called me into her office. If my grades slip an inch further or I miss another day, Iâm out.
It all started when I bumped into her in Piccadilly Gardens last summer, for like the first time ever. Iâd just bought a new pair of baggy trousers from Afflecks, this dock-off alternative market in the Northern Quarter, whenâyesâI tripped over them. Sabeena helped me up, her green eyes sparkling above her dark freckles and olive skin when she saw my Cradle of Filth T-shirt. We went for coffee, and weâve been inseparable ever since.
Sabeena introduced me to Rockworld, this club that stays open all night on Fridays. It quickly became our second home. First there was the honeymoon phase. And now? Who am I kidding, I still love it. But twelve hours until doors open. Ugh. I have to make it through advanced math and double German first.
Friday always drags.
After six hours of deathly boring calculus and subjunctives, I finally make it to the train station. A cold wind rips up, shaking the sad flowerpots. Not the weather to be marching on a demo.
On the opposite platform, three young teens dressed in The North Face jackets, baseball caps, and tracksuit bottoms heckle me. âYou fucking goth. Are you a fag?â
I bite my lip, trying not to laugh at their stupid performance. I raise my middle finger as the train pulls into the station. Theyâre yelling, causing a scene now, but I donât care. The train will depart in seconds.
I sit down and inhale the train chair smellâcleaning fluid mixed with stale school dinners. Then I rub the manky condensation off the window and scowl at them. Mascara, glow bands, and bright-blue hair is too much for them, I get that. The train shunts off and matchbox houses pass me by, depressing at any time of year, but especially bleak in the January darkness.
Me and Sabeena love Rockworld because it isnât like other clubs in Manchester. The music is wicked. What I like about it there, I remember Sabeena saying, is that itâs so relaxed. You can be anything you want to be.
But Rockworld isnât without its issues. Some people just go there to take drugs. We call them the Spaceheads, and I give them a wide berth. Then thereâs the straight-edge crewâmostly former Spaceheads. They pride themselves on making it through to the end of the night drug-free. Like what an achievement.
My favorite group is the die-hard fans, the Metalheads. Theyâre mint because they love the music. And fun to hang out with except when dropping irritating factoids about their favorite bands.
Occasionally a scally or posh kid from the suburbs drops in. They usually assimilate fast or leave twice as quickly as they arrive.
And our crew? Weâre kinda in the middle. Social butterflies, thatâs us. Thereâs one person I really dislike, though. This Spacehead called Lucy. Okay, so maybe Iâm jealous because Sabeenaâs started hanging out with her more, but somethingâs not right about her. And I donât want Sabeena getting into drugs.
The train blasts into Manchester Oxford Road Station and Sabeenaâs waiting for me on the platform, snowflakes melting on her faux-fur-lined hoodie and jeans. Itâs never that cold here, but when it snows, everything feels peaceful and your bones ache like mad.
âAll right,â I say with a grin. Sabeena is my Manchester this last six months. People think we must be dating. If I werenât like 90 percent into guys, I would be down with that, but weâre besties.
âHowâs it going,â I say, flashing her a cheeky grin.
She scowls, like sheâs had a shite day at college. âSame old. It feels like ages since I saw you last.â
I chuckle. âIt wasnât that long ago. Sounds like you need to chill.â
Iâd seen her last Saturday, when we got chucked out of the Arndale for some low-level thieving (only from corporations, mind) and loitering, sliding down the escalator rails to Market Street.
Sabeena always pushes things a bit too far. Especially on nights out. And me? I let her. Iâm the one who has to pull back, stop things from getting too out of control. And I canât let that happen, with all the trouble Iâm in at college. But Fridays are my release.
Sabeena straightens her back. âListen up, mister, you need to relax too. Youâll nail the exams.â
I nod slowly, and we mooch on down the stairs packed tight against the viaduct, which shudders as a train arrives. The dark, the lights, the snow, and her coat create an electricity. But as we scoot into the shadows, I canât help but feel that something is slightly off. Something I canât put my finger on.
âWait up,â a voice shouts from behind me. I spin around to face the Salisburyâthis pub where the Spaceheads hang out before clubbingâand spot Lucy.
My eyes narrow. âI thought we were gonna meet you there?â Sheâs at least five years older than us, which is also a bit sus if you ask me.
Lucy beams a fake smile at me, then a warmer one at Sabeena. âI texted, said Iâd come to the station.â
âRight,â I say casually, judging her with my stare. Sheâs trouble.
I look up to Oxford Road, where young women in short skirts and heavy makeup are keeping pace with men in designer shirts. So binary. My mind shoots back to the stupid scallies at the station.
The snow gets a little heavier.
âThe Salisbury looks dead,â I say, nodding at the pub. âMaybe the Spaceheads have actually gone inside and bought something?â
Lucy huffs. I really wish I could figure her out. But I canât deny it, she has this charm, this energy. Green eyes, purple hair dye, skin paler even than mine, and with bloodred lipstick. Lucy is hot, thereâs no denying that. I donât say it thoughâcalling yourself bi or pan is trendy here, and Iâm anti-the-alternative-mainstream, if thatâs even a thing.
Sabeena folds her arms together, teeth chattering. âItâs too fucking cold to chill outside here anyway. Can we go straight to Rockworld?â
Lucy nods firmly. âWise move,â she says, glaring at me.
Unwise move, I think. Talking at me like Iâm under her thumb.
Sabeena starts walking. âWait. I need something light to eat, and sugar for later, to keep me awake.â She grabs my arm and pulls it toward her warm, furry coat, the tips of the fur damp with melted snow. âCome on, this weekâs gonna be special.â
âJust donât go disappearing on me this time.â Especially not with her. I roll my eyes. Last week she vanished for ages, then told me this mad story about a hidden room in the club. I spent the whole time looking for her, but nothing. âWhy did you do that?â
She hesitates, then her green eyes lock with mine. âIâm sorry, Iâyou know how time just flies there? Iââ She brushes a thick snowflake off her faux-fur hoodie. âThis week weâll hang out together all night.â
I smile, all smug, at Lucy.
We head past the Palace Theatre, smartly dressed people queuing to get in, some shivering in the cold, others wrapped up in thick coats, then arrive at the familiar Tesco store and make our way inside.
The bright light makes me wince. Iâm a wannabe vampire, after all.
Okay, so the blue hair is achingly pop punk, but Iâll dye it black again next year for Halloween.
A tropical blast blows bakery smells around the entrance, and my stomach rumbles. Sabeena and Lucy speed around the aisles, picking up jelly beans, water, and some chewing gum and vapor rub for the Spaceheads. I donât know why Sabeena looks up to them, and to Lucy. Theyâre kind of sad. But sheâs a dabbler, an experimenter. I am, too, but I have to be more cautious right now.
We leave, head back out into the arctic chill, then dive down an alleyway next to the supermarket, proper hidden. Lucy taps on a black door and a tiny Plexiglass window opens. The moment they see us, the door swings open.
Rockworld is Manchesterâs open secret.
We inch through the door.
It slams shut behind us.
Dum, dum, dum.
I snap my eyes shut for a second and let the bass filter through my mind. Then I hold out my hand and place it on Sabeenaâs shoulder. We continue down a dark corridor, through a foyer with navy-blue ceilings and tired red paint peeling off the walls, then hotfoot it to the main room.
I take in the surroundings. The room is packed with goths, punks, emos, mosh kids. Spaceheads and Metalheads all mixed together. Everyone dancing at their own rhythm, heavy metal beats leaching out through massive speakers.
âAre you okay, mate?â A finger pokes me in the stomach. âKnow where I can get any pills?â
Fuckin Spaceheads. âNot my poison,â I reply, forcing a smile. I take a step back and the green-haired grunger wanders off. The music alone carries you through till dawn.
My mind flashes back to last week. Just try half of one, Sabeena had said, crumbling a pink speckled pill she called a unicorn with her thumb. I flashed her an evil glare. She took it anyway, and thatâs when she disappeared.
I felt used, dropped by her.
âWe stay together tonight,â I repeat, biting my lip. âAnd no pills. They donât suit you.â
She nods slowly. âWe agreed,â she replies. âAnd I respect that.â
I grab her hand. We dance by the massive speakers, then slink over to a row of tired black leather barstools beside a billiard table. A slender punk with a green mohawk is playing against a butch goth in a corset and short tartan skirt. Itâs not clear who is winning. The music switches to nu-metal, and I groan. The grunge teensâsurfing on the giant bass speakers, hands outstretchedâquickly exit the room.
I order a cranberry juice and vodka, slump into a sofa, and relax. Eventually, âCloserâ by Nine Inch Nails plays. I get up and dance with Sabeena and Lucy, our bodies rocking to the beat.
We exit the main room via the dance floor and head to the foyer, inhaling its peeling black linoleum and red-painted walls. Itâs full of teenagers and mosh kids, chilling out and chatting among themselves. In one corner thereâs a bunch of emo kids with carefully styled black hair and rainbow bracelets. By the ancient Pac-Man machine, a couple of goths in their early thirties are hanging out.
Sabeena catches my gaze. âWanna go dance? Itâs gabber hour in the goth room?â
That stuff is hardcore. Hard pass from me. âIâll sit this one out.â
âOK,â Lucy says, with too much enthusiasm. âSee you later.â
Lucy winks at Sabeena, then the pair disappear into the screaming gloom of the goth room. A sick feeling creeps across my stomach, remembering last week. Iâm paranoid sheâll disappear again. And this place, alive with new faces every week, but longtime clubbers arenât coming as much as they used to. As if theyâre disappearing.
I should just chill here in the foyer. But I get up anyway.
I shuffle out along the corridor, then take a sharp left turn into a room coated in ultraviolet paint. Lasers cut through the dark, a violet UV glow emerging from the ceiling. An angel in white spandex is drinking Newcastle Brown ale from a bottle. I look down, my black hoodie now coated with speckles dancing in the UV light. I pull my hoodie up over my face and sit down at a table, trying to be as inconspicuous as possible⊠but letâs be honest, the room is small.
A few songs later, Lucy and Sabeena rock up to my table and take a seat.
Lucy gets straight to it. âLighten up, Paul.â She flashes me an ice-cold glare, then fishes a small plastic bag out of her pocket. She forms a cup with her hand, then half a pill, white with blue speckles, a teddy bear imprinted on it, drops into her palm.
âI know what youâre looking for. A trip someplace. Take this, and Iâll show you.â My fist clenches. I know Lucy is aware I could get chucked out of college, and sheâs suggesting this? Iâd never accept dodgy drugs from anyone, let alone her. But Sabeena looks at me pleadingly. Part of me wants to play along, for her sake.
Sabeena seriously needs to audit her friends here.
Lucy drops the crumbling pill onto my palm. I stick my tongue out and place it on there, then I close my mouth and deftly stick it under my tongue. As soon as Sabeena and Lucy leave to dance again, I subtly spit it out.
We dance. I feel nothing.
Then things happen fast. Lucy nudges me, beckons us both to follow her. I swear she studies my eyes carefullyâI have no idea what sheâs looking for. We move back out to the foyer.
âYou, stay here,â she says.
Sabeenaâs buzzing, dancing, full of energy.
âI think we should go home,â I say to Sabeena, my eyes locked on Lucy. âTogether.â
âSabeena go home? In that state? No chance,â Lucy replies. She taps my shoulder. âYou need to take a seat. And chill.â
The bass thuds.
Dum, dum, dum.
I get up to protest, but Lucy knocks me down.
âWeâll be back soon.â
They leave and I follow them again, letting the crowd swallow me up. I feel like the decisions I make right nowâheckâthe decision to even be here, is shaping my future in ways I canât imagine. I make a beeline for the main room, where Iâd sworn a secret door had been the week before. But nothing. This club is confusing, a labyrinth. But a building layout canât change from week to week. Can it?
I rap my fist against the wall, but it feels solid. An emo kid flashes me a glance, assuming I must be a Spacehead.
I wander through the corridors again, super busy now, looking for them both. Last week, Sabeena just reappeared. Thatâs all I can hope for now.
I glance down at my watch.
02:37.
Still pretty early, yet the club feels emptier than usual. I find a quiet corner so I can make a plan to find Sabeena. Iâve asked everyone I know here.
I squint, then by the massive speakers, maybe twenty meters away from me, I spot Lucy. Alone.
I dart over. âWhatâs going on?â I say. âWhereâs Sabeena?â
Stone-faced, she says, âCome with me.â She holds out a pair of earmuffs. âPut these on. Iâll take you to Sabeena.â
She lifts a hand, beckons for me to follow her. And then everything goes black.
I come round, vision blurry. Iâm in a dark, confined space, like a shed orâoh my god, this is a DJ booth. The earmuffs lie on the floor beside me. A black tatty leather barstool looms to my left, above it DJ decks. In the upper far corner above the decks, TV screens flash images of the different rooms. I stare, half hypnotized. The main room is near-emptyâit must be late. I pad my pockets, searching for my mobile.
Itâs not there.
What the fuck?
I try to stand up, but my legs are weak. This has to be Lucy, her stupid teddy bear pill. I grab the edge of the work surface, haul myself up, then spin around, away from the monitors, the chair. Plexiglass cuts my booth off from the dance floor. When I see the scene before me, I freeze.
A group of people, at least twenty, are on the dance floor. But theyâre not dancing, not moving. I donât think they can see me. Their eyes are glazed over, unblinking. But thatâs not the maddest thing about them.
They are completely frozen, arms locked into contorted positions. I focus and make out the hairs on one guyâs arm, like an insect trapped in amber. Pale faces, some mouths clamped into a laugh or grin, others scared. More than spookedâthey look petrified.
A sick feeling shoots up from the pit of my stomach. And then, near the back of the room, jammed among them, I see a pair of green eyes staring back at meâSabeena.
Catatonic.
Thatâs the word my psychology teacher used once. Locked in position, like someone took a photo of them dancing. Disco lights flash red and purple and blue.
âSabeena,â I cry out, rapping my hands against the Plexiglass.
I swear her left eye twitched when I shouted, but I honestly have no idea if she can hear me. I shout out, wave, but no reaction. I cast my gaze around the room. Itâs as if each personâs soul has been ripped away.
This place is messed up.
I scan around, searching for a way out, then throw my weight against the booth door. Lucy must have brought me here. But why here? Why not the dance floor? My mind flits back to what happened in the goth room. I spat out the pill. I look around the booth for some clue, anything that will help me. The DJ decksâcontrols? Maybe Lucy didnât bank on me waking up.
Whatever, I canât take any risks now.
My bottom lip is moist, metallic, and salty. I dab it. Blood drips off my finger. I glance up again at the monitors and search through the live feed, through all the different rooms. Then I see her.
Lucyâs in the main room, talking with what looks like one of the club bouncers.
Frantic, I punch several buttons on the DJ decks. The colored lights move and muffled music blasts out through the speakers. Red shifts to green, strobe lights flicker, and the frozen dancers shift to a fresh position, catatonic again. The flashing makes their bodies shake and arms jerk, in a cruelly fragile way. Panicking, I turn the strobe lights off, and they freeze again.
The eerie thing is, despite the smiles, the grins, the fear and despair on their faces, they strike me as emotionless.
I try knocking on the glass again.
âSabeena, Sabeena!â
But nothing.
Desperate, I punch all the buttons. Then, at the back of the room, I see the wall start to move. I crouch.
Itâs Lucy. Sheâs wearing earmuffs too, but hers are pink, not black like everyone elseâs.
She cannot see me. Or can she?
She stops in front of a grunge rocker dressed in an old Nirvana T-shirt. Heart-Shaped Box.
Now sheâs heading over here. Iâm on the floor already, hiding, biting my lip again. I peek up, my gaze just reaching the bottom of the Plexiglass. She canât see me. No. Or sheâs pretending not to. Itâs like sheâs checking things, treating the clubbers like robots, like objects that need fixing. Sheâs studying them.
I lean back and consider my options. My best strategy is to play unconscious. I hear the jangle of keys, the door creaks open. I sit stock-still, my eyes near-closed.
Lucy sold drugs to the Spaceheads, that much I knew. She kinda fit in here, but also didnât. I know that feeling.
But this room, this placeâitâs another level of dark.
I stay mock unconscious as she places the earmuffs over my ears again. I hear a crackle, then a deep voice whispers to me, tells me to stand. I get up, afraid of what might happen if I donât.
My little finger starts to shake. Lucy canât see that. I must walk mechanically. I lurch forward, out of the booth, and the voice leads me to a spot on the dance floor. Lucy is back in the booth, but I canât see her now. All I see is a mirror and the light and colors. The lights begin to flash and then red, green, purple dots appear in front of my eyes. I can feel myself being lulled into a gentle trance, but I fight it.
If I go under, how can I help Sabeena, help everyone else? The strobe lighting flickers, drawing me into a trance, but I keep struggling against it.
My finger starts to twitch again. Shit. She canât notice. I think of school, of college, the deep mess Iâm in right now, and I laugh. If I get out of here, I ainât never coming back.
Then Lucy dashes off, disappearing through a door at the back of the room.
This is my last chance, my only chance. I need to bring Sabeena out of this trance, and we need to get out of here to safety. I rip off the headphones, run over to her, and wave in her face.
Nothing.
âWake up, wake up,â I say.
Nothing.
Stomach heavy, I leg it back to the booth. This time, Lucyâs left the door open. Schoolgirl error. I dart to the controls and search for the strobe button. I press it, and everyone shifts position. Sheâs left a silver business card on the side. Roko Industries. The pieces start to connect.
I rush back to Sabeena, wave, shout, remove her headphones, play punch her. Still nothing.
âLast resort,â I mutter, then sock her a punch to the stomach. She gasps, then stares at me. âWhere am I?â
It worked! âNot sure,â I say. âBut we have to get out of here. Fast.â
âLucy said weâre going to the fourth room, a fourth room?â
âThis is the fourth room, for sure. And we need to leave. Now.â
Sabeena looks around. âWhy are these people standing like statues? Whatâs going on?â
I bite my lip. âIâm not sure. Some kind of experiment? Lucy⊠she works for the developers. The same ones you were protesting against. Come on.â I zip toward the door.
âWe canât leave these people here, not like this.â
A pang of guilt surges through me. âItâs not safe here.â
Sabeena walks over to the guy in the Heart-Shaped Box T-shirt. âWe have to try.â
A creak at the back of the room. A door opening.
âWe need to leave,â I mouth.
Lucy blocks the exit.
âStop,â she says. âYouâve seen too much.â
âToo much?â I scramble for words. âWhat the hell is this place?â
âSome questions are better left unanswered,â Lucy says, seething.
âTry me.â I hold my palms out. âItâs not like weâre going anywhere. Youâve won. So try me.â
Lucy scowls. âYour counterculture is destroying the city. Waifs and strays on the streets, graffiti, drugged out people polluting the city center.â
âYouâre the one handing out pills.â
âPills arenât the problem.â Lucy says, proper dismissive, then pulls out a knife. âSo Iâll ask you just once to put the headphones back on.â
I stare at the headphones. Fuck. âSabeena,â I grit out. âThe headphones!â I turn to Lucy. âYou canât kidnap people, bring them here like this.â
Lucy points at the frozen people. âThese young people, they all have creativity we can use to rebuild the city, make it a better place. Thatâs what the headphones are harnessing. And weâre keeping them safe, off the streetsââ
âNow!â I shout at Sabeena and rush forward, knocking Lucy over, pushing through the door and out, out into a hidden corner of the goth room. âThe doors, quick!â I scream.
A sick feeling creeps over me again. The club owners must be in on this. And they have bouncers, security.
The clubâs nearly empty, the music downbeat, just the dregs remaining. A few people dancing to an old Cranberries track; a handful of strung-out goths and moshers scattered around on tables and chairs or slumped against walls.
We lurch toward the foyer, and I grab Sabeenaâs hand. I run out of the club, dragging Sabeena with me. Lucy stops at the club entrance. âYou canât leave this club. Not really,â she shouts.

Itâs still dark when we rush out of Rockworld, not looking back, the now-thick dusting of snow slowing our progress. We push through a bunch of rave kids. A Spacehead goth chewing on a pacifier, a green-haired punk cradling a teddy bear. We skid forward, pushing toward St Peterâs Square.
Sabeena takes the lead. We take a sharp turn into an alley then another, then down by the canal, making sure weâve lost Lucy. We end up in Chinatown, the bakery just setting up for the day, blowing a sweet doughy scent. I try to catch my breath, and we sit down beneath the tall arch with its red posts and golden painted dragons. Manchester always feels different on Saturday mornings and today is no exception. The buildings have this pixelated fuzz to them, the air feels gloopy, time slows down. Itâs mostly the effects of sleep deprivation.
Everything feels hyperpixelated in the snow.
I tilt my head back and stare up at the Chinese arch, my mouth catching stray snowflakes that melt on my tongue. Stars cloud the edge of my vision, and I briefly wonder if Lucy drugged me. But I donât care. Weâre safe. For now at least.
A street cleaner whirs up and down the road. It must be like six in the morning now. We leave Chinatown, walk toward a greasy spoon cafĂ© and push our way inside, the doorbell jingling as we enter. I hug Sabeena. âYou should eat something. You look pale. Like proper ill-pale.â
Sabeena nods. I order us strawberry milkshakes and a burger for myself.
We sit down at a white Formica table. The saccharine scent wakes me up. âWhat the fuck happened to us last night,â I say, staring at Sabeena, then outside. My brain is scrambled, and Iâm on edge, as if caught in a glitchy computer program. A mixture of feelings rip around my bodyâfreedom, excitement, despair, guilt⊠and dread.
I push all those feelings aside.
The greasy stench of burger and gherkins hangs in my nose. I canât hold back anymore. I have to vomit. I run to the cafĂ© toilet and retch. But Iâm not sure weâre out of danger yet.
âTake me through it,â I say, sitting back down at the Formica table. What happened when you left me?â
Sabeena tenses. âI canât remember anything except Lucy giving me the headphones and then⊠black.â She straightens up in her seat. âDo you think Lucy will follow us, that she knows where we are?â
A fuzzy sensation ripples along the back of my neck, like little jolts of electricity. I hesitate. âNot sure. We should move on. My mate works at the bead shop in Afflecks. Thereâs a back room where we can hang out. Weâll be safe there.â
âHere.â Sabeena presents me with the milkshake Iâve barely touched. âYou should drink this. You need the energy.â
I nod, reluctant, and take a loud slurp. We leave the café and sprint toward Afflecks, the alternative market we never steal from. When we reach Piccadilly Gardens, I freeze.
âWhatâs that,â I say, pointing to the distance.
On the horizon, black Tetris blocks appear from nothing, tall skyscrapers growing taller by themselves; no builders, no parachutes, no cranes. That is⊠impossible. I look up at the pixelated skyscraper growing taller by the minute in the distance, as light gusts of snow curl and blow across my vision.
A flash of lightning.
Thundersnow? No. Thatâs not lightning. Itâs strobe. Acidic milkshake tugs at my throat. And then I remember the words Lucy said: These young people, they all have a creativity we can use to rebuild the city.
âFreeze.â A voice shouts. âReturn to scene one.â
The world around us stops moving and then vanishes to gray.
I blink.
And weâre back in the fourth room.
Trapped.