Dealing with loss

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đłď¸ The Void
by Megan Diedericks
Sam laid flat in the bathtub, letting the water run into his ears. The noises of the world around him would be distant like a whisper shared between strangers, had there been any noises to be heard.
He twists and turns the golden ring on his left hand. Silent tears well in his eyes, then become part of the bathwater. He knows he has to get out soon. Put on a suit. Face his children. Face his distant family, face her family. HerâŚ
His phone lights up from the laundry basketâitâs 11:00 A.M.âsupposed to be his scheduled lab-time. He canât be a scientist today, only a widow. Only a father. He doesnât know how heâs supposed to be any of these things when he feels so empty inside, a void.
His wrinkled fingers remind him of what comes with age: lossâbut she had so much more aging to do. It isnât fair.
Sam sits on their shared bed, rubbing his burdened hands together. He is vaguely aware of how tired he looksâlike a man on the brink of his own death. His sister opens the door, and his two children come spilling throughâtheir grief is warded off by the blue light pulling their eyes down. Nothing absorbs ideas and thoughts quite like a void.
Sam studies them, they seem to be in a world of their own. A world where their mother never died, a world where their bodies sway at the entrance of the room theyâd run to when monsters were in their closet and in their dreams; but their souls were elsewhere, somewhere safe where nothing could take them away or hurt them.
He can hear her laughter, as if itâs coming from inside a can and he feels like his head is underwater again.
âCome here, Sloan, Clemence,â he pats the bed.
The twins move like dazed robotsâthey only cry when theyâre not distracted, so he makes a point of keeping them distracted.
He turned into a robotâmovements mechanical, on auto-pilotâonly glimpses of details that donât matter and donât bring him any comfort. Empty pews. A white collar. A face void of warmth. A photo full of life. A weight on his shoulder. Roses. A hearse. A hand rested on the shoulders of each of his children. Hands squeezing tighter than comfort calls for. Rearview mirror. Chattering. Food he hates. Empty house. Children go upstairs. Ticking clock.
Clemence sat beside his sister. She might be two minutes older, but he felt the need to comfort her. His church shoes dirty the carpet of her room, but she doesn't care.
Her phone holds a photo of their mother. She still hasnât cried. But Sloan never cries.
He asks, even though he knows sheâs notâbut not because of their twin telepathy, a thing their father called âa silly fictionâ,ââAre you okay?â
âAre you?â
He shakes his head, peeking over at her screen and she doesnât yell at him for it. He wishes she would. He watches her fidget with the ruffles of the dress Dad insisted she wear. âI think Mom would also think that dress is incredibly ugly,â he offers.
âI know she would.â
They hear a door slam across the hall. Clemence flinches, they both hold their breath. Clemence sinks onto the floor, pulling his knees up to his chest. Sloan climbs down too, hugging her brother close as he sobs. They are just children, even if they protested a mere month ago that being thirteen (and two minutes) was the furthest thing from being a child.
Sloan could see the look in everybodyâs eyes at the churchâwatching her like she was older now, but still talking to her like a child. The words âmature for your ageâ were tossed around quite a lot.
Clemence is crying, and she wishes she could too, but it was clear everybody finally thought she was an adult now.
Sam paces the hall. Stopping outside each of his childrenâs doors, then starting up and down his path again. Sloan and Clemence texted each other, wondering what they ought to do.
Sam stops outside Sloanâs doorâshe can see from the slight slit between the door and the floor that heâs there. Sam lifts a fist, readying himself to knock. He unclenches his jaw, and heads down into the basementâhis âhome labââinstead.
Clemence sneaks across the hallâfeeling as though the void cast by the moon through the window is going to swallow him wholeâavoiding the floorboards that creak. He closes Sloanâs door steadily, making sure no noise is made.
âCan I sleep here?â
Sam stands with a steaming cup of coffee in Sloanâs doorway. He lost count of how many times he had refilled his cup. His heart is beating at a rate that could electrify an entire town, watching his children sleeping in the same bed, the way they used to when they were younger. Before they âhatedâ each other.
He smiles distantly, running through the void in his mindâif only she could see them now. He heads toward the bed and gives them each a gentle nudge.
Their father seems like an altogether different man. Thereâs a cheer in his eyes they hadnât seen these past two weeks, as though he had been brought back to life.
On the kitchen counter, Sloan sees the pink-flowered cup that was this yearâs Motherâs Day gift on the counter. Ice cold black coffee is inside. Clemence only shrugs when she looks at him.
Sam watches them eat their breakfast cereal with clear impatience, his leg bouncing more than a rubber ball against hard concrete.
âWhatâs up, Dad?â Sloan asks after studying his body language for quite some time.
âHow would you two like toâŚâ
To Clemence, the rest of his fatherâs sentence fell into a voidâhis ears whining at what sounds like a cruel joke. Sloan looks at her father with deep hatred, not understanding how he would think this is funny. His smile enrages her. A bowl flies across the room. A spoon clatters. Milk is spilled. Clemence finds use in crying.
He ushers his stoic daughter and hysterical son into the basement. He canât explain it with words.
âSit,â he gestures toward the two swivel chairs.
Clemence immediately wants to move toward the one they know their mother used to sit in, writing and reading while their father worked away at one of the many things they had no way of understanding. Sloan could see her mother now, in that chair, but in reality only a void sits there now. Her arm shoots out, stopping Clemence in his tracks.
âWhat are those?â she asks her father. âThey look like⌠helmets,â she points with her other hand toward the cluster of wires and blinking lights resting on his desk. There are two of them.
âWell observed,â Sam simpers approvingly. âPlease just sit, then Iâll explain. I didnât mean to hurt either of youâlet me show you.â
Sloan looks at Clemence, her arm still in front of his chest. She drops it reluctantly and lets him have their motherâs chair.
â... you understand?â Sam asks, hooking up the last wire to his laptop.
Clemence pipes up, âSo, itâs almost like virtual reality?â
âExactly,â Sam smiles, sitting on a chair he took from the kitchen. âExcept itâs like being sucked into something like a memoryâwhere you can have new conversations, new experiences. Where you can see your mother again.â
âWill it hurt?â Sloan asks, her anger just a simmer now.
Sam looks up, the keys of his laptop no longer clacking as he speaks. âNot even one bit. Itâll be like youâre falling asleep,â he smiles reassuringly. âJust close your eyes.â
His children obey. Sam hits a key and watches their bodies sink, limp in the chairs. Blood feels like it drains from him entirely as the laptop screen fades to black.
âNo, no, noâŚâ he repeats.
Sam rises too quickly, and trips over the excess of cords on the ground.
âNo!â
He pushes himself up with help from his desk. He rushes to his children. He shakes Sloanâs body first. He notices a drying tear on her cheek.
âWake up!â he pleads.
Nothing happens. He repeats this process with Clemence. The results are the same.
âPleaseâŚâ his voice breaks as he removes what Sloan referred to as helmets. âPlease wake up.â
His heart sinks into a void, but thereâs a slight flutter as he realizes his laptop screen is shining again. He moves around the desk carefully, like heâs too afraid to look. Two words pop up on the screen, written with perfect punctuationâ Clemence.
HI, DAD.
The words disappear, and a new message comes through.
WHATS THIS PLACEâSloan.
Relief crawls out of the void. His plan worked. He sits back down on the wooden chair, his childrenâs bodies growing colder by the minute.
The keys clack, and clack, and clack.
This story was previously published by Tales from the Moonlit Path
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