
📺 The media guide S6E10
every rose has its thorn
why so blue?
There’s absolutely no new TV worth talking about this week, but there were a ton of killer albums on Friday. Plus a new movie from Darren Aronofsky and a new comic by James Tynion IV.
But first...
For the few of you who pay attention, you may have noticed Review of Links has the “Below the fold” feature, and the Weekend Edition has “The back page”—both for paid subscribers. Well, now The Media Guide has “The sidebar,” where we will review some things and share some links and thoughts—or whatever the hell we feel like doing with the space. It'll be fun. Hopefully.
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Things will pick back up next week
If I had to classify the genre of this album, I’d say it’s the most abstract “pop” could be. It sounds like two people just making fun sounds and rhythms. It’s as if you described what good “pop” music was to an alien and they tried to recreate it only from that description, without focusing on melody or hooks. Safe to say, it’s delightful.
Since I already featured an instrumental album last week, I held off on making this the release of the week, but this album is beautiful. The guitar is reminiscent of John Mayer and is perfect for relaxing under a warm sun.
I thought Hot Mulligan or Royal Otis were going to snag this spot (or better), but Royal Otis disappointed, and Sir Chloe absolutely delivered (Hot Mulligan met expectations). It’s a fun alternative rock album with a broad range of songs, but all of them are a blast.
James Tynion IV is tackling another Universal Monster book after the excellent Dracula. This time he's joined by Dani on art, who has worked on some fun books in the past, including Coffin Bound, The Low, Low Woods, and some art for 3W3M.
The newest book from writer Zach Kaplan, who previously wrote Kill All Immortals (which also has part two coming later this year), teams up with artist Stephen Thompson, who has chiefly worked on licensed books to this point. This book is about a secret society in the tech/gaming industry that leads our protagonist into deadly puzzles.
I’m probably more excited about this than I should be. The trailer looks like a lot of fun, and Darren Aronofsky has made some great movies in the past, especially Black Swan. Caught Stealing is the first film he’s trying to make for a wider audience again, after some pretty wild movies like Mother! and The Whale. Who knows if it will live up to those expectations, though.
The Peter Dinklage and Kevin Bacon-starring R-rated “superhero” flick is finally out of purgatory. No one thought this crazy movie would be commercially viable, so no one picked it up to distribute—until now. The fact no one wanted to distribute it is reason enough to be intrigued and see it.
This seems to be getting torn to shreds already, but critics likely aren’t the audience for this one. Plus, Pierce Brosnan and Helen Mirren join up for the second time this year after the sleeper hit Mob Land.
And finally, the documentary that caused quite a stir after some accusations were made about Mubi holding this film, following criticism of its investors’ ties to Israeli Defense. I still see Vice as a big missed opportunity to be a leader in new media that completely fell apart.
Welcome to The sidebar, a new feature where we share a little of extra goodness in the form of links, reviews, thoughts, tangents, etc., with those of you kind enough to part with your hard-earned money.
This week, a review of King of the Hill's fourteenth season and some bonus links.