
📺 The media guide S6E12
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sleepy
I'm tired; you’re tired; we’re all tired. So let’s pretend I wrote something super deep, meaningful, and poignant here.
~Round of applause commences~
Wonderful, thank you, thank you, thank you! I couldn’t have done it without you. But let’s not dwell on how wonderful I am. Let’s get on with the show!
This week’s ad slot was purchased by friend of Foofaraw, Evan Passero, in support of Elevated Access—a non-profit organization that enables people to access healthcare by providing flights on private planes at no cost, whose volunteer pilot network transports clients seeking abortion or gender-affirming care across the United States.
Foofaraw will match up to $300 in donations to DIFFA Dallas, Elevated Access, and Denton Community Food Center through the remainder of 2025.
Given they are for charity, we’ve decided to display ads to our paid subscribers this week.
It’s Tim Robinson’s year, and we are just living in it. Friendship didn’t quite hit for me, though. Robinson has a schtick, and I’m not sure it works outside of sketch comedy because he's always at an 11. It gets old very fast in longer settings, so it’ll be interesting to see how it does when we get one episode a week and whether that will wear me down or not.
Following Ted Lasso’s footsteps, taking a small gag from a TV sketch, and turning it into a full-blown sitcom. This time, Glen Powell steps in for Eli Manning in the titular role of Chad Powers.
This is one of those animated shows I feel like I should be watching, but I have never taken the time to really try to get into it and understand what it is.
I honestly have no idea what this is, but I'm getting the sense it could be a sleeper hit in the same way Adolescence was earlier this year, except Boots would be the comedy version of that (I think).
Last week was an excellent week for new music. All five of the runner-ups I have below are from last week as well, and honestly, this pick could've been any of them. Peter McPoland creates a whole vibe with this record. It's upbeat, the guitar is killer, there's some light Midwest emo motifs mixed with those Alex G vibes we love around here. It just rocks.
And then there’s this past Friday... where it was also hard to pick a favorite, but for very different reasons—absolutely nothing stood out. Still, I think Beautiful Noise is my favorite and most complete album of the week. There were a few albums that had fast starts, but completely lost the plot, and others that were fun, but just never elevated into being something more than just a regular ol' Friday release.
I struggled with Geese's previous albums. They never really felt like they had anything unique or new to offer. Still, after their singer, Cameron Winter, released his solo album (our #10 of 2024), it feels like that energy has been infused into the album to create something greater than the sum of its parts.
Bright Eyes is another band that never really did it for me either, but more than two decades after they made waves, they are back with one of their best albums after last year's lackluster effort.
SONS are new to me, but Hallo is an excellent percussive and propulsive rock album. It feels raw while still having a bit of that pop-punk flair, albeit without the super catchy choruses.
I loved RKS' "How to:" album (it was my album of the year in '18), but I hated their last album. This one feels like a return to form. Even though it doesn't hit those same highs as "How to:," it's still a ton of fun.
Kingfish is showing us the Blues are still alive and well. He absolutely shreds through this entire album, and I feel a bit bad that Marcus King released his new album on the same day because Kingfish completely outshines him in every respect.
Nick Dragotta (East of West, Absolute Batman) and David Brothers team up again for this 64-page single issue containing three different stories. Dragotta's art is always worth picking up, no matter what the story is.
I know nothing about this book or the creative team—apparently it's an adaptation of a French graphic novel—but that cover is haunting.
The new Godzilla comic universe continues to expand, this time with Mechagodzilla in space by the creative team of Chris Gooch and Oliver Ono.
This is a single-issue companion to SIKTC that collects the six parts serialized in Hello Darkness issues into one 40-page comic.
A new fantasy series from Tini Howard and artist Joe Jaro comes a very different book with a tagline that includes "nunsploitation, religious horror, and rebellion." Apparently, the main character is both a nun and a witch hunter.
This might be the most intriguing release of the week as Oni teams with the production company SpectreVision, founded by Elijah Wood and Daniel Noah, for stories influenced by documented cases of UFOs. For this issue, Daniel Noah is joined by Chris Condon for writing duties, while Dave Chisholm takes art duties. The tagline gives it a very James Tynion Blue Book feeling, but I'll be curious to see if they can make it their own.
I saw this last Friday. It was good. Not great. The Rock and Emily Blunt are terrific in it, but it's also not anything like what I expected it to be. I thought it was going to be a bit of a gonzo film, rich in violent UFC fighting. Instead, it was a very personal profile of a man dealing with addiction and life as he tries to make a life for himself.
Dying to see this. Daniel Day-Lewis comes out of retirement to act in a movie he co-wrote with his son—known as a fine artist—who is making his feature debut as a director. The trailer looks moody and patient, and Day-Lewis has literally never put on a bad performance.
Rose Byrne has been all over my TV (and killing it) lately with Physical and then Platonic, both on Apple TV. Now it seems like she's cashing in that goodwill for what appears to be an Oscar-worthy performance, from all accounts.
Colin Hanks directs this documentary about the great John Candy. It drops on Prime Video on the 10th, which is probably a good enough reason to fire up a quick trial in order to watch it.