🎙️ A.J. Hodges
An interview with the author of Silent Disco
An interview with the author of Escape Algorithm

Read Morris' story, Escape Algorithm, now!
I recognized the dissonance, but I can’t say it was really intentional. I stole the phrase “Escape Algorithm” from Fran Wilde during a discussion 15 years ago. I think we were either both going to use it as a prompt or write something together; I don’t recall, and nothing ever came of it. It’s been slowly simmering in the back of my mind since then, until, quite recently it re-emerged as this story. I’d been failing to write a tech story based off the idea when it came to me that ‘algorithm’ didn’t really have to be tech related, and then this flowed quite easily.
I see that as simply her nature; she’s tenacious and methodical. But she definitely has also learned from her failure.
I can be methodical and tenacious when I decide something needs to be done. However, my first attempts tend to be much more instinctive - trying the things that feel right. In this protagonist’s situation, I frankly doubt I’d be able to maintain the anger and bitterness; I’d probably just get down to making the best of it after a while.
I think she does, or at least keeps trying. She’s one of those people who just never forgets a slight. I don’t think she’d ever be able to let it go.
I can be as petty as the next person, and I do react strongly to what I see as injustice. However, I also hope I’d see that if the only injustice was to me, there would be better things to do with my life than exact vengeance.
I think that her meticulous notes probably do link back somewhere to the lab notebooks we all kept - what we planned, what actually occurred, what the result was. If you really want to learn from experimentation, good records are essential.
According to Submission Grinder, it was rejected exactly 10 times.
I read a collection (When Mothers Dream) by Brenda Cooper, whom I’d known very little of, and really liked the story “Southern Residents”, about a young influencer exposed to the work of a marine conservatory.
I’ve always got a few books going. Right now, they include Mercury Rising by R.W.W. Greene, Mud and Brass by Andrew Knighton, and some NetGalley selections, The Castle and the Cloister by Laura E. Weymouth and Not With a Bang by Temi Oh.
Speaking of rejection, I’m in the final stages of editing TRUNK: stories that took the long way, which is an anthology of original SFF stories that were rejected many times - anywhere from 11 (for a novelette) to almost 50 (for a short story). Submitting stories can be incredibly tedious, but publishing is a question of finding the right editor for the right story, and it’s one circumstance where tenacity really can pay off. I’m aiming to have the anthology out around mid-year - keep your eyes open for it!